Cinema camera

Sony VENICE 2 (8.6K sensor, MPC-3628) recording modes

The Sony VENICE 2 (8.6K sensor, MPC-3628) has 11 recording modes in the Cutvey Viewfinder gear list, from 8.6K 3:2 at 35.9 × 24 mm down to 5.4K 16:9 (S35) at 22.6 × 12.7 mm. A 35mm lens covers 54.3° across on the widest mode and 35.8° on the narrowest, so the mode you record changes the frame as much as the lens does.

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Recording modes and sizes

Each row is one recording mode as the app knows it: the active area the mode reads from the sensor, the resolution it records, the image circle a lens must cover, and how much smaller it is than a 36 × 24 mm full frame by diagonal. The last column is the line the app prints under the mode: the maker, how the size was found and the day it was read.

ModeActive areaResolutionImage circleFull frame cropSize from
8.6K 3:235.9 × 24 mm8640 × 576043.2 mm1xSony · published · 2026-08-04
8.6K 17:935.9 × 19 mm8640 × 455640.6 mm1.07xSony · published · 2026-08-04
8.2K 17:934.1 × 18 mm8192 × 432038.6 mm1.12xSony · published · 2026-08-04
8.2K 2.39:134.1 × 14.3 mm8192 × 343237 mm1.17xSony · published · 2026-08-04
8.1K 16:933.7 × 19 mm8100 × 455638.7 mm1.12xSony · published · 2026-08-04
7.6K 16:931.9 × 18 mm7680 × 432036.6 mm1.18xSony · published · 2026-08-04
5.8K 6:5 (S35 anamorphic) (anamorphic intended)24.1 × 20.2 mm5792 × 485431.4 mm1.38xSony · published · 2026-08-04
5.8K 4:3 (S35 anamorphic) (anamorphic intended)24.1 × 17.8 mm5792 × 427630 mm1.44xSony · published · 2026-08-04
5.8K 17:9 (S35)24.1 × 12.7 mm5792 × 305627.2 mm1.59xSony · published · 2026-08-04
5.5K 2.39:1 (S35)22.8 × 9.6 mm5480 × 229624.7 mm1.75xSony · published · 2026-08-04
5.4K 16:9 (S35)22.6 × 12.7 mm5434 × 305625.9 mm1.67xSony · published · 2026-08-04

"Published" means the size was read from a published figure. "Derived from pixel pitch" means it was worked out from the photosite count and the published pixel size. A Provisional mode is still waiting for a second person to check it, so give its frame a little room. Counted November 2, 2026.

Anamorphic modes

5.8K 6:5 (S35 anamorphic), 5.8K 4:3 (S35 anamorphic) are flagged as made for anamorphic lenses. With a squeeze the lens sees a wider slice than the mode's width, and the picture is stretched back out in post. Horizontal angle with a 2x squeeze:

Mode40mm 2x50mm 2x75mm 2x100mm 2x
5.8K 6:5 (S35 anamorphic)62.1°51.5°35.6°27.1°
5.8K 4:3 (S35 anamorphic)62.1°51.5°35.6°27.1°

Try another squeeze in the anamorphic calculator or read anamorphic lenses explained.

Field of view for a standard lens set

Degrees across the frame for spherical primes, worked out from each mode's own width. A wider mode sees more on the same lens; that is why a 35mm feels different on open gate and on a 4K crop.

Mode18mm24mm35mm50mm85mm135mm
8.6K 3:289.8°73.6°54.3°39.5°23.8°15.1°
8.6K 17:989.8°73.6°54.3°39.5°23.8°15.1°
8.2K 17:986.9°70.8°51.9°37.7°22.7°14.4°
8.2K 2.39:186.9°70.8°51.9°37.7°22.7°14.4°
8.1K 16:986.2°70.1°51.4°37.2°22.4°14.2°
7.6K 16:983.1°67.2°49.0°35.4°21.3°13.5°
5.8K 6:5 (S35 anamorphic)67.6°53.3°38.0°27.1°16.1°10.2°
5.8K 4:3 (S35 anamorphic)67.6°53.3°38.0°27.1°16.1°10.2°
5.8K 17:9 (S35)67.6°53.3°38.0°27.1°16.1°10.2°
5.5K 2.39:1 (S35)64.7°50.8°36.1°25.7°15.3°9.7°
5.4K 16:9 (S35)64.2°50.4°35.8°25.5°15.1°9.6°

The lens that frames like full frame

If the director thinks in full frame focal lengths, this is the lens on each mode that gives the same horizontal angle. The last column does the same against a Super 35 frame 24.89 mm wide.

ModeLike a 24mm on full frameLike a 35mmLike a 50mmLike a 35mm on Super 35
8.6K 3:223.9mm34.9mm49.9mm50.5mm
8.6K 17:923.9mm34.9mm49.9mm50.5mm
8.2K 17:922.7mm33.2mm47.4mm48mm
8.2K 2.39:122.7mm33.2mm47.4mm48mm
8.1K 16:922.5mm32.8mm46.8mm47.4mm
7.6K 16:921.3mm31mm44.3mm44.9mm
5.8K 6:5 (S35 anamorphic)16.1mm23.4mm33.5mm33.9mm
5.8K 4:3 (S35 anamorphic)16.1mm23.4mm33.5mm33.9mm
5.8K 17:9 (S35)16.1mm23.4mm33.5mm33.9mm
5.5K 2.39:1 (S35)15.2mm22.2mm31.7mm32.1mm
5.4K 16:9 (S35)15.1mm22mm31.4mm31.8mm

Pick any two modes in the crop factor calculator to match a lens on another camera, or read sensor size and field of view.

Depth of field on each mode

Cutvey Viewfinder picks the circle of confusion for depth of field from the recording mode's own gate, unless you choose one on the panel. These are the values it starts from.

ModeDiagonalCircle of confusionWhy
8.6K 3:243.2 mm0.030 mmnearest to Full Frame
8.6K 17:940.6 mm0.030 mmnearest to Full Frame
8.2K 17:938.6 mm0.030 mmnearest to Full Frame
8.2K 2.39:137 mm0.025 mmnearest to Super 35
8.1K 16:938.7 mm0.030 mmnearest to Full Frame
7.6K 16:936.6 mm0.025 mmnearest to Super 35
5.8K 6:5 (S35 anamorphic)31.4 mm0.025 mmnearest to Super 35
5.8K 4:3 (S35 anamorphic)30 mm0.025 mmnearest to Super 35
5.8K 17:9 (S35)27.2 mm0.025 mmnearest to Super 35
5.5K 2.39:1 (S35)24.7 mm0.025 mmnearest to Super 35
5.4K 16:9 (S35)25.9 mm0.025 mmnearest to Super 35

Work out near, far and hyperfocal for any lens in the depth of field calculator.

Frame this camera in the app

Open Cutvey Viewfinder, tap the strip at the top of the viewfinder and choose Sony VENICE 2 (8.6K sensor, MPC-3628) and the mode you will record. Your iPhone or iPad then draws that mode's frame for every lens in your kit, with the band where a lens sees wider than the phone. Check one lens here first in the field of view calculator.

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Camera and lens names are trademarks of their respective owners, used only to identify the equipment. The sizes come from the Cutvey Viewfinder gear list, which is as accurate as its sources. Request a correction.

Frame the Sony VENICE 2 on your phone

Cutvey Viewfinder draws this camera's frame for every lens in your kit, on iPhone and iPad. $19.99, once.